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Art from Her Heart: Folk Artist Clementine Hunter



by
Kathy Whitehead
illustrated by
Shane W. Evans

Edition
-
Publisher
Putnam’s
Imprint
Putnam’s
ISBN
9780399242199
POTENTIALLY SENSITIVE AREAS
None
$6.00   $5.00
SEE MEMBER PRICE
QTY
Out of stock

JLG Category

Easy Reading Plus

"Clementine waited until her work in the Big House was done and the twinkle of stars filled the night sky above the Cane River. She was ready to paint, like the artists she cooked and cleaned for on Melrose Plantation. . . . Instead of canvas, she used window shades, glass bottles, black iron skillets, and old boards-whatever she could find. In the middle of her hundred years, Clementine Hunter had decided to paint." Hunter's work, inspired by memories of picking cotton and pecans, wash days, weddings, and baptisms, now hangs in museums across the country. Bibliography. Author's note. Full-color mixed-media illustrations.

POTENTIALLY SENSITIVE AREAS
None

Details

Format

Print

Page Count

32

Trim Size

8" x 10"

Dewey

759.13 B

AR

5.3: points 0.5

Lexile

AD870L

Genre

Biography

Scholastic Reading Counts

1

JLG Release

Oct 2008

Book Genres


Topics

Clementine Hunter (ca. 1886-1988). Art. Making do. Plantation life. Family. Art exhibits. Prejudice. Segregation.

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Cover Art

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Praise & Reviews

Starred or favorable reviews have been received from these periodicals:

Bulletin of the Center for Children’s Books, Booklist, The Horn Book Guide, School Library Journal

Junior Library Guild

With striking illustrations and simple, evocative text, Art from Her Heart is an understated biography of a fascinating American artist.

Clementine Hunter is presented as serious and humble, her work firmly grounded in her experience. Born in late December 1886 or early January 1887, she worked on Melrose Plantation, a Louisiana haven for artists and writers. Hunter was self-taught and began to paint at the age of fifty. Without presuming to understand her motivations for beginning to paint, the book focuses instead on the practical aspects of Hunter’s work: where she got the paints she used and the objects on which she painted.

Shane W. Evans’s mixed-media illustrations, which incorporate brushstrokes, fabric, and lines drawn in pencil, further emphasize this materiality. To Evans’s credit, he does not try to mimic Hunter’s style in his own illustrations. Therefore, when reproductions of Hunter’s paintings do appear in the book, they stand out distinctly.

As the story moves between scenes of Hunter painting and scenes of her and others working on the plantation, gestures and postures are repeated, suggesting a continuity between Hunter’s paintings and the activities that inspired them. Although the book has an optimistic and even triumphant tone, it does not gloss over the discrimination Hunter faced. For example, even when her paintings hung in museums and galleries, one gallery would not let her in the front door; she waited until after hours to see her own work on display. This biography is an unsentimental and extremely moving portrayal of an artist and her work.

Horn Book

A brief text, more impressionistic than fact-filled, introduces readers to the self-taught artist Clementine Hunter (1886–1988), who "didn't wait" for perfect conditions in order to paint her memories of plantation life. Illustrator Evans's canvas resembles the old boards on which Hunter sometimes painted, while the rich colors recall Hunter's own palette. Author's note. Bib.

Praise & Reviews

Junior Library Guild

With striking illustrations and simple, evocative text, Art from Her Heart is an understated biography of a fascinating American artist.

Clementine Hunter is presented as serious and humble, her work firmly grounded in her experience. Born in late December 1886 or early January 1887, she worked on Melrose Plantation, a Louisiana haven for artists and writers. Hunter was self-taught and began to paint at the age of fifty. Without presuming to understand her motivations for beginning to paint, the book focuses instead on the practical aspects of Hunter’s work: where she got the paints she used and the objects on which she painted.

Shane W. Evans’s mixed-media illustrations, which incorporate brushstrokes, fabric, and lines drawn in pencil, further emphasize this materiality. To Evans’s credit, he does not try to mimic Hunter’s style in his own illustrations. Therefore, when reproductions of Hunter’s paintings do appear in the book, they stand out distinctly.

As the story moves between scenes of Hunter painting and scenes of her and others working on the plantation, gestures and postures are repeated, suggesting a continuity between Hunter’s paintings and the activities that inspired them. Although the book has an optimistic and even triumphant tone, it does not gloss over the discrimination Hunter faced. For example, even when her paintings hung in museums and galleries, one gallery would not let her in the front door; she waited until after hours to see her own work on display. This biography is an unsentimental and extremely moving portrayal of an artist and her work.

Horn Book

A brief text, more impressionistic than fact-filled, introduces readers to the self-taught artist Clementine Hunter (1886–1988), who "didn't wait" for perfect conditions in order to paint her memories of plantation life. Illustrator Evans's canvas resembles the old boards on which Hunter sometimes painted, while the rich colors recall Hunter's own palette. Author's note. Bib.

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