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When Stars Are Scattered



by
Victoria Jamieson ,Omar Mohamed

Edition
Hardcover edition
Publisher
Penguin Random House
Imprint
Dial
ISBN
9780525553915

Awards and Honors
2020 National Book Award Shortlist for Young People's Literature
2021 Schneider Family Best Middle Grades Honor Book
Publisher's Weekly Best Middle Grade Books of 2020
3032 Walter Award Winner, Younger Readers Category
POTENTIALLY SENSITIVE AREAS
Violence: War/Harsh Realities of War
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Omar and his younger brother, Hassan, have spent most of their lives in Dadaab, a refugee camp in Kenya. Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future…but it would also mean leaving his brother, the only family member he has left, every day.

Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It’s an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story.Afterword with photographs. Authors’ notes. Full-color illustrations.

POTENTIALLY SENSITIVE AREAS
Violence: War/Harsh Realities of War

Details

Format

Print

Page Count

264

Trim Size

8.3 x 5.5

Dewey

B

AR

3.7: points 4

Lexile

GN530L

Genre

Fiction

Scholastic Reading Counts

0

JLG Release

Jun 2020

Book Genres

Biographical Fiction; Graphic Novels

Topics

Graphic novels. Omar Mohamed (social worker). Somalian refugees. Kenyan refugee camps. Brothers.

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Cover Art

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Praise & Reviews

Starred or favorable reviews have been received from these periodicals:

The Horn Book Magazine*, School Library Journal*, Kirkus Reviews*, Publishers Weekly*, Booklist*

School Library Journal

Perennial comic book favorite Jamieson teams up with Mohamed, a Somalian refugee, to tell a heartbreaking story inspired by Mohamed’s life. Cared for by kind Fatuma, an older woman who also lost her family, Omar and his little brother Hassan have lived in the Dadaab refugee camp in Kenya since they were small, when their father was killed and they were separated from their mother while fleeing civil war. Though Omar loves looking after Hassan, who is mostly nonverbal, life in the camp, where “it felt like all you ever did was wait,” is stultifying and grindingly difficult. When Omar has the opportunity to attend school, he and his friends realize that they can increase their families’ painfully slim chances at being chosen for resettlement. Heavier on text compared with Jamieson’s usual fare, this title still features the expressive, gentle style of Roller Girl or All’s Faire in Middle School—the language of cartoons makes the subject matter accessible to a middle grade audience. Indeed, the authors highlight moments of levity and sweetness as the children and their families do their best to carve out meaningful lives in the bleakest of circumstances. An afterword and author’s notes go into greater detail about Mohamed’s life, how the two met and decided to collaborate, which elements of the story are fictitious, and how to help other refugees. With this sensitive and poignant tale, Jamieson and Mohamed express the power of the human spirit to persevere.

Horn Book

This poignant graphic novel about growing up in a Kenyan refugee camp is based on co-author Mohamed’s experiences as an orphaned Somali refugee. The narrative focuses primarily on Omar’s fierce protection of Hassan, his younger brother who has limited verbal communication and who suffers occasional seizures. When the highly intelligent and compassionate Omar is encouraged by supportive adults to pursue his education, he does so reluctantly (“I felt torn in half. Should I go to school? Or should I stay with my family?”). Years of studying, turmoil over resettlement, and near-debilitating ennui follow. Omar and Hassan eventually find themselves as teenagers poised for resettlement to America, but not without the cost of abandoning the relationships they’ve developed at the camp. The brothers’ difficult lives at the refugee camp are complexly conveyed through engaging past/present narration, artful repetition, and Jamieson’s (Roller Girl, rev. 3/15) confident cartooning (full-color not seen). Multi-paneled layouts are regularly layered over singular background spreads, creating visual depth, while text-rich captions and substantial dialogue drive the narrative. Tragedy is certainly present throughout the story, yet Mohamed and Jamieson’s focus on deep familial love and education works to subvert many refugee stereotypes. Back matter includes photographs, an illuminating afterword, and two authors’ notes (in Jamieson’s, she shares her connection to Mohamed, along with her process for adapting his story into a graphic novel).

School Library Journal

Gr 4-8-Perennial comic book favorite Jamieson teams up with Mohamed, a Somalian refugee, to tell a heartbreaking story inspired by Mohamed's life. Cared for by kind Fatuma, an older woman who also lost her family, Omar and his little brother Hassan have lived in the Dadaab refugee camp in Kenya since they were small, when their father was killed and they were separated from their mother while fleeing civil war. Though Omar loves looking after Hassan, who is mostly nonverbal, life in the camp, where "it felt like all you ever did was wait," is stultifying and grindingly difficult. When Omar has the opportunity to attend school, he and his friends realize that they can increase their families' painfully slim chances at being chosen for resettlement. Heavier on text compared with Jamieson's usual fare, this title still features the expressive, gentle style of Roller Girl or All's Faire in Middle School-the language of cartoons makes the subject matter accessible to a middle grade audience. Indeed, the authors highlight moments of levity and sweetness as the children and their families do their best to carve out meaningful lives in the bleakest of circumstances. An afterword and author's notes go into greater detail about Mohamed's life, how the two met and decided to collaborate, which elements of the story are fictitious, and how to help other refugees. VERDICT With this sensitive and poignant tale, Jamieson and Mohamed express the power of the human spirit to perverse.-Darla Salva Cruz, Suffolk Cooperative Library System, Bellport, NY?(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Praise & Reviews

School Library Journal

Perennial comic book favorite Jamieson teams up with Mohamed, a Somalian refugee, to tell a heartbreaking story inspired by Mohamed’s life. Cared for by kind Fatuma, an older woman who also lost her family, Omar and his little brother Hassan have lived in the Dadaab refugee camp in Kenya since they were small, when their father was killed and they were separated from their mother while fleeing civil war. Though Omar loves looking after Hassan, who is mostly nonverbal, life in the camp, where “it felt like all you ever did was wait,” is stultifying and grindingly difficult. When Omar has the opportunity to attend school, he and his friends realize that they can increase their families’ painfully slim chances at being chosen for resettlement. Heavier on text compared with Jamieson’s usual fare, this title still features the expressive, gentle style of Roller Girl or All’s Faire in Middle School—the language of cartoons makes the subject matter accessible to a middle grade audience. Indeed, the authors highlight moments of levity and sweetness as the children and their families do their best to carve out meaningful lives in the bleakest of circumstances. An afterword and author’s notes go into greater detail about Mohamed’s life, how the two met and decided to collaborate, which elements of the story are fictitious, and how to help other refugees. With this sensitive and poignant tale, Jamieson and Mohamed express the power of the human spirit to persevere.

Horn Book

This poignant graphic novel about growing up in a Kenyan refugee camp is based on co-author Mohamed’s experiences as an orphaned Somali refugee. The narrative focuses primarily on Omar’s fierce protection of Hassan, his younger brother who has limited verbal communication and who suffers occasional seizures. When the highly intelligent and compassionate Omar is encouraged by supportive adults to pursue his education, he does so reluctantly (“I felt torn in half. Should I go to school? Or should I stay with my family?”). Years of studying, turmoil over resettlement, and near-debilitating ennui follow. Omar and Hassan eventually find themselves as teenagers poised for resettlement to America, but not without the cost of abandoning the relationships they’ve developed at the camp. The brothers’ difficult lives at the refugee camp are complexly conveyed through engaging past/present narration, artful repetition, and Jamieson’s (Roller Girl, rev. 3/15) confident cartooning (full-color not seen). Multi-paneled layouts are regularly layered over singular background spreads, creating visual depth, while text-rich captions and substantial dialogue drive the narrative. Tragedy is certainly present throughout the story, yet Mohamed and Jamieson’s focus on deep familial love and education works to subvert many refugee stereotypes. Back matter includes photographs, an illuminating afterword, and two authors’ notes (in Jamieson’s, she shares her connection to Mohamed, along with her process for adapting his story into a graphic novel).

School Library Journal

Gr 4-8-Perennial comic book favorite Jamieson teams up with Mohamed, a Somalian refugee, to tell a heartbreaking story inspired by Mohamed's life. Cared for by kind Fatuma, an older woman who also lost her family, Omar and his little brother Hassan have lived in the Dadaab refugee camp in Kenya since they were small, when their father was killed and they were separated from their mother while fleeing civil war. Though Omar loves looking after Hassan, who is mostly nonverbal, life in the camp, where "it felt like all you ever did was wait," is stultifying and grindingly difficult. When Omar has the opportunity to attend school, he and his friends realize that they can increase their families' painfully slim chances at being chosen for resettlement. Heavier on text compared with Jamieson's usual fare, this title still features the expressive, gentle style of Roller Girl or All's Faire in Middle School-the language of cartoons makes the subject matter accessible to a middle grade audience. Indeed, the authors highlight moments of levity and sweetness as the children and their families do their best to carve out meaningful lives in the bleakest of circumstances. An afterword and author's notes go into greater detail about Mohamed's life, how the two met and decided to collaborate, which elements of the story are fictitious, and how to help other refugees. VERDICT With this sensitive and poignant tale, Jamieson and Mohamed express the power of the human spirit to perverse.-Darla Salva Cruz, Suffolk Cooperative Library System, Bellport, NY?(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Grades 5-8
Graphic Novels Middle Plus
For Grades 5-8

Book-length narratives presented in comic book style, graphic novels foster both visual and verbal comprehension skills while exposing readers to interesting dialogue and satire, as well as affirming diversity.

JLG's selection of these unique books, some of them only published in softcover, are ideal for attracting reluctant readers and introducing them to literature they might not encounter otherwise. You may find that the 12 books in this category will turn your reluctant readers into eager readers.

14 books per Year
$293.02 per Year
Interests
Diversity,ESL,Fiction,Graphic Novels,Reluctant Readers,Transitional Readers,Funny/Humorous
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Grades 5-8
Graphic Novels Middle Plus
14 books per Year
$293.02 per Year

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