Eleven-year-old Imogene (Impy) has grown up with two parents who work at the Renaissance Faire, and she’s eager to begin her own training as a squire. First, though, she’ll need to prove her bravery. Full-color illustrations.
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[STARRED REVIEW]
Helping her parents with their jobs at the Renaissance Faire is all 11-year-old homeschooler Imogene “Impy” Vega has ever known. While working with her family is fun, she wants to go to middle school and meet kids her own age. Unfortunately, sheltered Impy is ill-equipped for the realities of draconian teachers, frenemies, and boys. Her new challenges begin to wear her down, and she struggles to develop empathy for others, even in the midst of adolescent angst. This utterly charming graphic novel rivals the author’s Newbery Award—winning debut title, Roller Girl. Whereas in the earlier book Jamieson subtly incorporated elements of realism (wrinkles, scuffs, and scrapes on the characters), here she has committed to a more unified cartoonlike look, with fewer details and sketchlike lines. The result is a slightly more polished work. Exaggerated character expressions add further to the appeal. This is a lengthy coming-of-age story that weaves in subplots involving Impy’s first real friend, her younger brother, and other cast members of the Faire. Tweens seeking a light read with a quick payoff will shy away, but those who enjoy weightier narratives will lose themselves in Jamieson’s world and appreciate the realistic life-goes-on conclusion. VERDICT As heartfelt as it is gorgeous, this is a worthy addition to any middle grade graphic novel collection.—Matisse Mozer, County of Los Angeles Public Library
Roller Girl (rev. 3/15) meets the Ren Faire in Jamieson’s new read-alike graphic novel. After years of homeschooling, Imogene Vega, a squire-in-training at the Florida Renaissance Faire where her family works seasonally, starts middle school. Embarrassingly hilarious and tragic moments ensue, involving name-brand clothing and knockoffs, sexy romance novels, frenemies, maybe-crushes, retellings of “Saint George and the Dragon,” and a stuffed squirrel. Between classmates, teachers, parents, and Imogene’s vibrant extended “faire-mily,” nobody seems to get how hard it is to be a sixth-grader in transition (until they do). Imogene is reflected with depth as she manages her anxiety and grows to better understand her family’s precarious finances as well as microaggressions endured by her Latino father at the Faire and at his retail job. Roller-coaster moments stem from relatable, everyday adolescent experiences, always with a sense of high stakes. There is just enough commitment to the Renaissance theme to bring it to life without alienating those unfamiliar with Elizabethan English or other “rennie” references. The illustrations, loose, energetic, and expressive, let plot and characterization shine. Each chapter starts with third-person narration, presented within decorative borders featuring shields, dragons, and other illuminations; it’s as if Imogene’s story is a Renaissance tale itself—an experience complete with tension, laughter, anticipation, heartbreak, and delight. elisa gall